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O Truth of Earth

Joseph Kosuth

Hotel Exterior

Stainless steel, stone circling
New York City, NY

Joseph Kosuth's Website

Hyatt Regency Denver is adorned with a poem entitled "O Truth of Earth” by philosopher John Ruskin, using stainless steel set into the black granite of the perimeter of the building. The piece was installed during the construction of the hotel in 2005. The inscription reads:

"Mountains are the bones of the earth, their highest peaks are invariably those parts of its anatomy which in the plains lie buried under five and twenty thousand feet of solid thickness of superincumbent soil, and which spring up in the mountain ranges in vast pyramids or wedges, flinging their garment of earth away from them on each side. The masses of the lower hills are laid over and against their sides, like the masses of lateral masonry against the skeleton arch of an unfinished bridge, except that they slope up to and lean against the central ridge: and, finally upon the slopes of these lower hills are strewed the level beds of sprinkled gravel, sand and clay; which form the extent of the champaign. Here then is another grand principle of the truth of earth, that the mountains must come from under all, and be the support of all; and that everything else must be laid in their arms, heap above heap, the plains being the uppermost."

Joseph Kosuth was one of the originators of conceptual art in the mid-1960s, which became a major movement that thrived into the 1970s and remains influential. He pioneered the use of words in place of visual imagery of any kind and explored the relationship between ideas and the images and words used to convey them. His series of One and Three installations (1965), in which he assembled an object, a photograph of that object, and an enlarged photographic copy of the dictionary definition of it, explored these relationships directly. His enlarged photostats of dictionary definitions in his series Art as Idea as Idea (1966-68) eliminated objects and images completely in order to focus on meaning conveyed purely with language. Since the 1970s, he has made numerous site-specific installations that continue to explore how we experience, comprehend, and respond to language.